Un ouvrage en anglais sur l'histoire du film dans la region Souss:
The Amazigh Film in Souss. From Oblivion to the International Scene.
While I was involved in seeking the ways that affected the film in the heart of thSouss, I came up with diverse factors impinging on the movie. The first generation of films headed by Lahocine Bizguarn is the result of the associativework. Thanks to their conscious decision, they established the associations as a way to relive their sense of struggle other way. They are better at raising these associations than keeping cross-legs waiting for state support. Most obviously, associative work has been a major force in the revival of interest in Amazigh film, and especially in an age when the state received the Amazigh cultural and artistic personality with a plastic eye. Given importance to this account, one might hope to turn to the festivals as also one of the dependable. Sources of film distribution and success. This chapter does not also fail to mention the importance of oral history as a contributing factor to the success of a film among Imazighen. In condemning such sources as reliable, let's first shed light on the role of associations, second the contribution of film festivals and third the how oral heritage benefit the Amazigh film.
A lire sur
https://www.souss.nl/film/the-pillars-of-amazigh-film?highlight=WyJmaWxtIl0=
The Amazigh Film in Souss. From Oblivion to the International Scene.
While I was involved in seeking the ways that affected the film in the heart of thSouss, I came up with diverse factors impinging on the movie. The first generation of films headed by Lahocine Bizguarn is the result of the associativework. Thanks to their conscious decision, they established the associations as a way to relive their sense of struggle other way. They are better at raising these associations than keeping cross-legs waiting for state support. Most obviously, associative work has been a major force in the revival of interest in Amazigh film, and especially in an age when the state received the Amazigh cultural and artistic personality with a plastic eye. Given importance to this account, one might hope to turn to the festivals as also one of the dependable. Sources of film distribution and success. This chapter does not also fail to mention the importance of oral history as a contributing factor to the success of a film among Imazighen. In condemning such sources as reliable, let's first shed light on the role of associations, second the contribution of film festivals and third the how oral heritage benefit the Amazigh film.
A lire sur
https://www.souss.nl/film/the-pillars-of-amazigh-film?highlight=WyJmaWxtIl0=